Parveen Babi (4 April 1949 – 20 January 2005) was an Indian film actress, model and interior designer who worked predominantly in Hindi cinema during the 1970s and 1980s. Known for her glamorous on-screen persona, she became one of the leading actresses of Bollywood during that era and was among the first Indian film personalities to feature on the cover of Time magazine, in its 1976 issue on Asian cinema.
| Full name | Parveen Babi |
|---|---|
| Born | 4 April 1949, Junagadh, Gujarat, India |
| Died | 20 January 2005, Mumbai, Maharashtra, India |
| Occupation | Actress, model, interior designer |
| Years active | 1973–1989 |
| Notable films | Deewaar, Amar Akbar Anthony, Namak Halaal, Shaan, Kaalia, The Burning Train |
| Education | St. Xavier's College, Ahmedabad |
Parveen Babi was born into a Muslim family of the former princely state of Junagadh in Gujarat. Her father, Vali Mohammad Khan Babi, served as an administrator in the Junagadh state. She lost her father at a young age and was raised primarily by her mother. She completed her schooling in Mount Abu and later graduated in English literature from St. Xavier's College, Ahmedabad.
Before entering films, she worked briefly as a model, appearing in print advertisements for several leading Indian brands of the period.
Parveen Babi made her film debut in 1973 with Charitra, opposite Salim Khan. Her early years saw modest commercial outings, but recognition came swiftly with her appearance in Yash Chopra's Deewaar (1975), starring Amitabh Bachchan and Shashi Kapoor, where she played the role of Anita.
Through the latter half of the 1970s and into the 1980s, she became a sought-after leading lady, frequently paired with Amitabh Bachchan. Her notable films during this period include:
She was also paired with other leading actors of the period, including Shashi Kapoor, Vinod Khanna, Feroz Khan and Dharmendra. In 1976, she appeared on the cover of the international edition of Time magazine, accompanying a feature on the rise of Asian cinema.
From the early 1980s, Parveen Babi began to withdraw periodically from public life, citing personal and health-related reasons. She travelled abroad for extended periods. She made a brief return to films in the late 1980s, with Bewafai (1985) and a few other releases, before retiring from acting around 1989.
After leaving films, she pursued interior design and journalism, contributing occasional articles. She lived in seclusion in Mumbai during her final years.
Parveen Babi was associated romantically at various times with cinematographer-director Mahesh Bhatt, actor Kabir Bedi, and filmmaker Danny Denzongpa. Her relationship with Mahesh Bhatt was the partial inspiration for his film Arth (1982) and later Woh Lamhe (2006). She did not marry and had no children.
Parveen Babi was found dead at her residence in Juhu, Mumbai, on 22 January 2005. The estimated date of death is 20 January 2005. She was 55 years old.
Parveen Babi is regarded as one of the early figures who redefined the image of the Hindi film heroine, bringing a Westernised, urbane sensibility to mainstream Bollywood at a time when traditional portrayals dominated. Alongside contemporaries such as Zeenat Aman, she contributed to the emergence of a new style of female lead in commercial Indian cinema during the 1970s. Her appearance on Time magazine's cover marked a milestone in the international visibility of Indian film personalities.
| Year | Film | Director |
|---|---|---|
| 1973 | Charitra | B. R. Ishara |
| 1974 | Majboor | Ravi Tandon |
| 1975 | Deewaar | Yash Chopra |
| 1977 | Amar Akbar Anthony | Manmohan Desai |
| 1978 | Kaala Patthar | Yash Chopra |
| 1979 | Suhaag | Manmohan Desai |
| 1980 | Shaan | Ramesh Sippy |
| 1980 | The Burning Train | Ravi Chopra |
| 1981 | Kaalia | Tinnu Anand |
| 1982 | Namak Halaal | Prakash Mehra |
| 1983 | Mahaan | S. Ramanathan |
| 1985 | Bewafai | K. Bapaiah |