Background
The devotional impulse that bhakti songs articulate has long been described in Indian religious history as a strand running across several centuries and many regions, expressed in vernacular as well as classical languages. Songs of devotion appear in connection with worship of various deities and divine forms within the Hindu fold, and they have also influenced and been influenced by neighbouring traditions. In broad terms, bhakti songs combine poetic text with melodic and rhythmic performance, sometimes accompanied by simple percussion and drone instruments, sometimes set in elaborate classical frameworks, and sometimes performed in informal community singing.
Significance
Bhakti songs are significant in several overlapping ways. Religiously, they serve as a vehicle for personal and communal devotion, allowing participants to articulate love, longing, repentance, gratitude and surrender in accessible language. Culturally, they have contributed to the development of literary traditions in many Indian languages, often being among the earliest or most widely circulated vernacular poetry in those languages. Musically, they intersect with both classical and folk practice, and they have shaped, and been shaped by, performance idioms used in temples, processions, household worship and stage concerts.
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