Abhijat Joshi is an Indian screenwriter best known for his long-running creative collaboration with filmmaker Rajkumar Hirani. He has co-written several of Hindi cinema's most commercially and critically successful films of the 2000s and 2010s, including Lage Raho Munna Bhai, 3 Idiots, PK, Sanju and Dunki.
| Name | Abhijat Joshi |
|---|---|
| Nationality | Indian |
| Occupation | Screenwriter, playwright, academic |
| Notable collaborator | Rajkumar Hirani |
| Affiliation | Otterbein University, Ohio (faculty, English Department) |
| Language of work | Hindi (films), English (theatre) |
Joshi was raised in Gujarat and studied literature, later moving to the United States for higher education. He has been associated with Otterbein University in Westerville, Ohio, where he teaches creative writing and drama. He continues to balance an academic career in the United States with active screenwriting work in Mumbai.
Before establishing himself in Hindi cinema, Joshi was active as a playwright. His play A Shaft of Sunlight, dealing with communal tension in India, received recognition at the BBC's international playwriting competition in the early 1990s and was subsequently produced in London.
Joshi's screenwriting career in Hindi cinema is closely tied to the films of Rajkumar Hirani and producer Vidhu Vinod Chopra. Working from a writers' room model, he typically co-writes scripts with Hirani over extended development periods.
Joshi's scripts, particularly those co-written with Hirani, are known for blending broad humour with social commentary. Recurring concerns include the rigidity of the Indian education system (3 Idiots), religious dogma and superstition (PK), media ethics and Gandhian non-violence (Lage Raho Munna Bhai), and irregular migration from Punjab to the West (Dunki). The screenplays typically use a mainstream comedic register to frame issues that are otherwise debated in serious public discourse.
Joshi has been a recipient of Filmfare Awards and other Indian film industry honours for Best Screenplay and Best Dialogue, shared with his co-writers, for several of the Hirani films. His work is frequently cited in studies of contemporary Hindi popular cinema for its balance of commercial appeal and topical content.